The feature film ODD BRODSKY began as a passion project for director
Cindy Baer and cinematographer Matthew Irving.
Now, after a seven-year journey including developing, shooting, editing, visual
effects, sound and music, the film is ready to make its world premiere at the 36th Mill Valley Film Festival on October 4th and October 5th—and this has Baer
ecstatic.
“My husband Matt and I came up with the idea for ODD BRODSKY in 2006 when my first feature was playing at a film festival in Massachusetts. I shopped the script around but found it impossible to raise a real budget in this horrible economy. I was about to give up after a few years trying. That's when industry friends starting coming together to make it happen!” said Baer. “We prepped for about 2 months, and then shot at the end of 2011. We’ve been working hard to complete it and are so excited to see it on the big screen.”
“My husband Matt and I came up with the idea for ODD BRODSKY in 2006 when my first feature was playing at a film festival in Massachusetts. I shopped the script around but found it impossible to raise a real budget in this horrible economy. I was about to give up after a few years trying. That's when industry friends starting coming together to make it happen!” said Baer. “We prepped for about 2 months, and then shot at the end of 2011. We’ve been working hard to complete it and are so excited to see it on the big screen.”
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| Audrey (Tegan Ashton Cohan) and Camera One (Matthew Kevin Anderson) |
Why Continue the
Festival Route?
ODD BRODSKY is Baer’s latest film and her second full-length feature
to be accepted into a film festival (her debut feature Purgatory House screened at 25 festivals and her short film Morbid Curiosity screened at 28
festivals) so taking the film festival route was always on her mind. But why
continue the festival route? According to Baer, for exposure and validation. “More and
more films than ever before are being made and more films than ever
are going the festival route. This makes the competition
greater than it’s ever been as the larger star-studded films compete against
tiny movies for highly coveted screening slots” explained Baer.
“Getting into a good festival can help to garner press and reviews, and for the smaller films that don't have big stars, it can help validate the movie to an audience and to distributors. Smaller festivals are great too. The opportunity to bring your movie to a community and present it on the big screen before a live audience and do a Q&A is wonderful. And if the audience likes your movie, they'll tell others about it. In this day and age it's all about getting people to know your project," said Baer. "Nobody is going to watch it if they don’t know about it.”
“Getting into a good festival can help to garner press and reviews, and for the smaller films that don't have big stars, it can help validate the movie to an audience and to distributors. Smaller festivals are great too. The opportunity to bring your movie to a community and present it on the big screen before a live audience and do a Q&A is wonderful. And if the audience likes your movie, they'll tell others about it. In this day and age it's all about getting people to know your project," said Baer. "Nobody is going to watch it if they don’t know about it.”
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| Baer and husband Matt Irving Hard at Work |
Delivering Quality
Shots with a Tiny Budget
Being a micro budget project, Baer found herself wearing different
hats in every department, and despite having limited resources she and her producing partner Thomai Hatsios were able to pull
off traditional production values not found at the low-budget level. “Everything is lit,
and the camera work is smooth and lyrical as opposed to handheld and frenetic. We're
extremely proud of what we were able to accomplish in the 20 day shoot-- our
feature spans multiple time periods (1971, 1980 and present day), has over 30
locations, rain, smoke, kids, animals and even a musical number! Over 50 actors
had speaking roles, and the majority were women, which is not common.
There's also dozens of complex “real world” visual effects which
help to fully create the world of the movie. And no story about Hollywood
would be complete without a glimpse of the Hollywood sign, which we were
grateful to have licensed.”
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| Tegan Ashton Cohan as Audrey and Jim Hanks as the actor who plays God (in pink) |
Choosing the Right
Gear
Budget also dictated Baer and Irving's choice in format and support gear; however, they found that choosing vendors that fit the budget was a no-brainer, and ultimately
decided to go with Canon DSLRs and Redrock Micro rigs to shoot the film.
“Canon DSLRs deliver by far the best image for the price, and the Redrock Micro rigs are the best I've found in terms of build-quality and flexibility. Even when we did go handheld, the Redrock Micro rigs allowed us to make it as smooth as possible, to deliver the more "classical" studio film look” recalled Irving.
“We used the DSLR Field Cinema Bundle and added the microFollowFocus and microMatteBox Deluxe. Once fully built, the shoulder rig/follow focus/matte box combination--together with the Canon 5D Mark II--became our "studio camera" for the show. We would keep it built in this configuration whether we were on sticks, dolly, or handheld. The thread on the bottom of the shoulder rig was a genius addition from Redrock Micro, which allowed for this flexibility," described Irving. "We were able to go from sticks to handheld in no time at all; we merely had to release the plate from our Sachtler tripod and we were good to go.”
“Canon DSLRs deliver by far the best image for the price, and the Redrock Micro rigs are the best I've found in terms of build-quality and flexibility. Even when we did go handheld, the Redrock Micro rigs allowed us to make it as smooth as possible, to deliver the more "classical" studio film look” recalled Irving.
“We used the DSLR Field Cinema Bundle and added the microFollowFocus and microMatteBox Deluxe. Once fully built, the shoulder rig/follow focus/matte box combination--together with the Canon 5D Mark II--became our "studio camera" for the show. We would keep it built in this configuration whether we were on sticks, dolly, or handheld. The thread on the bottom of the shoulder rig was a genius addition from Redrock Micro, which allowed for this flexibility," described Irving. "We were able to go from sticks to handheld in no time at all; we merely had to release the plate from our Sachtler tripod and we were good to go.”
 |
| On Set with Redrock Gear |
Baer and Irving enjoyed the modularity of each piece of
Redrock gear they used on the shoot, adapting the gear to their own specific
needs and making it work quickly and easily. “The Canon 5D Mark II is an
amazing camera, but it can experience some warping and rolling (commonly called the "jelly roll" effect) if certain vibrations are present during the
shooting. The Redrock shoulder rig eliminated this problem by adding just the
right amount of bulk and weight, while providing a more sturdy contact point
with the body. In my experience, a handheld shot literally goes from
"unusable" to nearly Steadicam-smooth when you use the Redrock Micro
rig.”
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| Preparing for the Next Scene |
Irving credits the gear in helping to achieve a smooth and lyrical feel in
the shots and had such a great experience would use them again in future
projects. “I would use the rigs again in a heartbeat. In fact, I consider
the shoulder rigs (together with follow focus and matte box) to absolutely
integral tools whenever I'm shooting with Canon DSLRs.”
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| Director Cindy Baer |
Film Festival Tips
The film
festival circuit can seem daunting and impossible, but Baer recommends it for
small indie films hoping for the opportunity to find new audiences. “Besides being
fun, you
get to visit places you may not otherwise go, discover great movies that you may
never have a chance to see again, meet amazing people, and make friendships
that last a lifetime. My tips about festivals would be to create a strategy and do your
homework. Most festivals will not play you if you've screened at another
festival in their city, because it will be harder to get people to attend. It’s
important to submit your movie to a festival that it would actually be a good
match for.”
For more on ODD BRODSKY, Cindy
Baer and Matthew Irving, check out:
ODD BRODSKY Facebook: www.facebook.com/oddbrodsky
ODD BRODSKY Twitter: www.twitter.com/oddbrodsky
ODD BRODSKY website: www.oddbrodsky.com
Cindy Baer website: www.cindybaer.com
Matthew Irving website: www.matthewirving.com
Contemplating the film festival route? Check out these tips for filmmakers from Sarasota Film Festival director Tom Hall.
For more on the Redrock Field Cinema Bundle, microFollowFocus and microMattebox Deluxe, visit redrockmicro.com.
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